An introduction to paintings by Ritu Mehra

A fellow artist, Ritu Mehra has debuted with her solo exhibition at Triveni Art Gallery. It is a milestone which all of us at Triveni Studios strive for, while struggling to find our creative identity. I’ve seen her toil and can relate with it. It thus is a matter of joy to have written an introductory piece for her catalogue.

Reproducing my note here, do take time out to visit Ritu’s collection on her blog.

All creative journeys begin with an exploration of the self and the surrounding. The artist perceives the given anew, with a childlike fancy and a discoverer’s enquiry. When unbridled by blinds of social conditioning, the neighbourhood becomes a treasure of inspiration. Realizing such a level of awareness can be rewarding as well as overwhelming. Patiently following a method through the magical madness, Ritu has emerged along this path.

Ritu Mehra has evolved a tool to plot her imagination. She gives herself a variable surface akin to a sandy riverbed or a mossy growth and improvises thereon adding elements and responding to nothing but the demands of her canvas. Her subjects take shape with softness of stanzas extracted from a poem, unscathed by the pangs of anxiety that the artist endures through the process. Like an adventurous alchemist she let’s varying ingredients simmer and become a whole represented in unified and often muted colours. Preoccupied in this lab within herself she delineates the brewing interactions of muses and mediums.

Her engineering mind takes off from a fresh frame of reference every time and playfully indulges in all that could apparate on her canvas and take it anywhere. Where this approach will go from here, there doesn’t seem to be a limit.

 

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Anti-mediocrity

It bugs us no end to see mediocrity and to see it being appreciated. At its worst it makes me hope for an apocalypse. This frustration was best expressed by the striking geniuses of ‘Atlas Shrugged’. But Ayn Rand’s objectivity can at best be appreciated in a closed society getting together every weekend to collectively crib and let out the ridiculousness faced during the week. In the real world, mediocrity stays.

It can work in two ways – it may put you off or it may make you want to shut the crap up by posing an example of excellence and ‘show them!’ In the later case mediocrity becomes a fuel for originality. However nothing that doesn’t glare can influence the masses. It would be a waste to take on anything if you aren’t doing it solely for yourself.

Because isolation is neither practical nor possible, the only guard from the suffocating mediocrity is a preoccupation with excellence, mostly on a personal level.

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Continuum

Continuum is an exhibition of paintings by Vikram Nayak, ongoing at Triveni Kala Sangam. The following passage of my thoughts on the artist has been published along with  his catalog.

CONTINUUM

Search for a key to understand Vikram’s works leads me into the labyrinthine realm of creative activity. I am met with a multitude of realizations that pose as many questions. The scene becomes as intricate as the paintings themselves. The laboriously rendered layers create an impression of infinite depth and flaunt artist’s incisive vision, dexterity, and patience. Each canvas suggests that there is more to it. Its gravity keeps drawing the artist deeper. This relation is saved from becoming a black hole because he always manages to bungee out into the tangible world.

Vikram engages with life as an active participant; as a performing artist, an activist, and above all as any other social animal. He is willing to go beyond the known limits of his self, never denying any possibilities. There is a scope for risk even in his most carefully planned strokes. It occurs as an element of red in many of his works, representing youthful vigour and fearlessness that contains the power to change everything—for better or for worse. It is this inquisitiveness that helps him perceive his environment and render it anew on his canvas. And he does it with such lucidity as if life was so easy to understand and articulate.

Such a creative process happens within the permeable periphery of self and the artist becomes the subject as well as the object. Mindfulness enables the artist. The degree of self-realization determines the quality which makes art and distinguishes it as valuable. It takes perseverance and discipline –the traits that have put Vikram in this continuum of exploration and refinement.

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The Stage is Set

The pitch is now exposed to sunburns. It was under a waterproof canopy till an hour ago. Then some areas were dusted just like a make-up man puffs away extra powder. Two men moved to & fro a number of times with a hand-roller. Grass was trimmed from either sides. The ground staff is imparting finishing touches. Crease lines have been marked and stumps are in place. Yet there will be something or the other left to do till the match begins in four hours from now.

Ferozshah Kotla ground is looking like a green disc from the vantage point of media box. Grass has been levelled wherever needed. A staffer is crisscrossing the field with a spray. Nets have been setup at radially opposite corners. Teams will begin warm-ups in a couple of hours. Entry gates will soon be opened for spectators. I suppose they are queuing up outside the stadium already. First come would be first served but not to the two front rows. Due to security reasons the Delhi police doesn’t allow those rows to be occupied. But nothing mars the spirit of cricket fans. They wouldn’t mind even if there weren’t any seats. Excitement of T20 keeps you jumping out of your seats anyway.

Within no time the stadium would be full beyond capacity. Some people will bring eye-catching banners and some will put their cheer leading skills on display hoping to capture cameramens’ attention and get their moment on the screen.
Back here in the media box journalists will soon be arriving. They will set up their gear and get ready to file reports and analysis. The TV crew has setup its functions already. My team is also ready to ensure smooth functioning of the media center. The stage has been set.

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Stand-up Comedy

They say that the best way to enjoy a match is to watch it live in the stadium. I bought it. I also bought tickets for the first IPL-3 match in Delhi. It wouldn’t have been a big deal if I hadn’t been spoiled by the comforts of radio commentary booths. I wanted to get a feel of being amidst the cricket-crazy crowd and watch the home team take on Mumbai Indians. It did turn out to be crazy, besides being a replay of the usual whenever the two states meet each other for domestic cricket.

It was a stand-up show. Throughout the match people would stand-up after every 30 seconds and the guy in the front row would show his jockey. It was the pattern every time the ball left the bat or a player came close to the boundary or a cheer girl raised a pompom. IPL is indeed a thrilling package. In such frenzy it is as impossible to remain seated as keeping your eyes open while sneezing. Don’t even try, your eyes will pop out!

The organizers must’ve anticipated the irrelevance of seats because they sold twice as many tickets as the stadium capacity. It felt like being in a local bus where ‘capacity’ is indicative of the number of people that can stand inside the vehicle. And in just the same way as we learn how to adjust in public transport, I learnt the art of watching a match through the rise and fall of butts. By the first strategic time out I figured that I must submit to the wave and jump along with everyone if I wanted to keep an eye on the ball.

And then I was in the groove. It indeed is fun to watch a match from the stands. I think I can just sum it up the dilli way – “feel aagayi!” (meaning: that felt awesome!)

This post was published on my blog HOOKed! at Cricket Aakash

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Optimum

This is about the website that I recently created for portfolio of photographs by Nitin Gera. It is my favourite website out of the ones that I’ve made till now. I wanted to create a presentation that could do justice to the outstanding photography by Nitin and I am satisfied that the website almost does that. It might sound like I am praising my own work but it isn’t so. This is a self-evaluation and an account of the thought process behind this work.

Beginning with the king i.e. content, the pictures are organized into galleries that reflect Nitin’s choice of genres. Inside each portfolio page the photographs were lined up according to the same principles as one would apply while displaying artworks in a real life gallery. The selection and sequence of images is not random. Each picture was handpicked out of Nitin’s massive collection and carefully placed in an appropriate order. These pages also carry the context of each selection through text.

The webpage was meant to be sleek looking and functionally efficient. These days the obvious choice for implementing websites seems to be either Flash or a CMS. Both are very capable and sharp swords. But all that I needed was a needle. So far I’ve only used HTML and JavaScript in this site.

The thing about Flash that makes it so useful for creating interactive websites is ActionScript. This language is like a cousin of JavaScript, both being dialects of ECMA-Script. ActionScript comes into play inside a Flash environment that works independent of the internet browser, while JavaScript allows you to use built-in browser functionality. JavaScript objects fit inside HTML and can be controlled through CSS. The advantage of using this trio is that they are native to browsers and HTML gets plus points in SEO scorecards. I wouldn’t bundle all my data inside a Flash module unless I am creating a rich internet application.

Another important decision was to not use a CMS, simply because it wasn’t needed. A CMS is used when you’ve a lot of content updated almost on a daily basis. Like I said earlier that the selection of photographs is not random, we didn’t want to program it either. You can’t just place any artwork besides another. We needed direct control over presentation of photographs, hence the hard coding.

The site will soon have CMS driven sections. There will be a photoblog that Nitin can use to interact more regularly with visitors.

I believe that to create an effective communication content, presentation, and technology have to be joined together through a common thought process. In this case I needed to create a website that rings with the photographer’s philosophy about his work – Optimum. And being optimum is not a stage but a continuous process, so this online portfolio will evolve along with the photographer.

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Tail Tale

A classical shot from Sachin Tendulkar is no big deal. He is expected to do so, all the time. Poor performance from such experts hurts like criminal offence – “Oh damn! How could he do this!” However it becomes a big deal when someone who isn’t expected to face any balls stands through overs and even scores runs – “Wow man! How could he do this!” A tailender could make you feel as happy as a dog is when it is wagging its tail. Interestingly these days tails wag quite often.

Well, this doesn’t have to be a tongue twister of a read. It is a simple observation that lower order batsmen are no more afraid of being at the crease. This courage could be because of the T20 culture which has brought out the pinch hitter in the likes of Harbhajan Singh. The cheekiest remark that he has made in the press was before last year’s India-Australia series – “watch out for my batting” is what he had to say to his favorite rivals. He almost pulled it off along with Praveen Kumar in a recent match.

Praveen Kumar doesn’t only swing the ball both ways but he swings himself too, between the ball and bat I mean. He has been an all rounder for Uttar Pradesh. If I was collecting only Indian specimen then choicest of the current lot would be Amit Mishra for redefining the role of a night watchman. On both the occasions that he has been sent for this task he has batted like a true batsman with some classic shots in his armor. I once asked an old veteran bowler how it feels to be assigned the task to bat ahead of specialist batsmen, to which he replied that only the players with some batting capacity would be sent in as a night watchman and thus it becomes a good opportunity for them to score. Of course no one would’ve asked Courtney Walsh to do so. No matter how entertaining it could’ve been.

Nowadays even the eleventh man doesn’t put up a dramatic display of nerves, except for a little fumble by someone like Ashish Nehra. I think I once saw him take a sigh of relief when he took a single to rotate strike. However in the previous India-South Africa ODI he put up a brave show. Sadly he gave away the runs he scored while defending.

These are just a few instances of substantial efforts by tailenders, that too from recent Indian matches. This makes me question how many of these have translated into wins for their teams. I can’t think of any such scenarios. Contribution of tailenders is at best a bonus for the team’s score. Sometimes it could be a saving grace, but it is far from being the case of a tail that can wag the dog.

This post was published on my blog HOOKed! at Cricket Aakash

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Test Times

We never considered Bangladesh as competition, and another set of contests with Sri Lanka right after their Indian tour couldn’t have been a much awaited event. But the Indian fan doesn’t mind this overdose. Cricket is like phenergan syrup – addictive, has heavy sedative effects, and is available over the counter.

However India-Bangladesh tests have acted like B-complex tablets for Bangladesh. While the matches gave them valuable experience, Sehwag’s remark effused spirit of challenge in the team. If this helps improve the lowest ranked test team then it in turn enhances the overall quality of test cricket. I hope other star teams would also do their bit and not series with Bangladesh.

Continuing with the thoughts on promoting test cricket, I believe that the upcoming South Africa visit is a significant one. The cricketing world would look forward to the contest where the top ranked teams take on each other and settle the ongoing debate over the numero uno position.

Ever since Indian team achieved number one ranking many critics have doubted whether they would stay at the top for too long. When someone said that the team doesn’t have it in them – ‘it’ being the bowling attack – Zaheer Khan earned “Man of the Series” award. When someone said that India isn’t playing enough tests, the cricket board promptly planned two matches with South Africa, that too at the cost of two ODIs.

If there are anymore criteria to be satisfied then I hope that they are expressed very soon. Because now is the time for all of it to be duly taken care of. This can prove to be a golden era for the test format if India takes it on them to maintain the number one position. I don’t think that the captain would now repeat his diplomatic remarks about not considering rankings while playing. For once they should stick their neck out and say that they are out to silence the critics and camp at the peak for a good while. After all this feat is not just a matter of pride for the country but it could also prove to be a big boom in the falling market value of test cricket.

This post was published on my blog HOOKed! at Cricket Aakash

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Track 10

They say that whatever you do on the 1st of January sets a trend for the year. If it is true then the card that has been drawn for me has sports written all over it. I am a part of the anchoring team for a special show on Commonwealth Games 2010. The series was kicked off with the dawn of the New Year on Rainbow India which is the primary FM channel of All India Radio. The show has been named Track Ten and is being broadcast everyday from 8-9 AM. The objective of the show is to create awareness about the games as we countdown to the multisport event that Delhi will host in October this year.

It is my turn to host the show for 6-7 days in a row. This has two direct implications – (a) I need to be updated on the happenings in sports world, and (b) I’ve to tear myself away from my beloved quilt in the wee hours of the morning and rush to radio station. It is just my luck that this is turning out to be the coldest and foggiest week of the year! Nonetheless, I am thoroughly enjoying the sporty time. These are phone-in shows and because there are two sports jockeys the shows are highly interactive and fun.

There is a lot of information to be shared on the shows and over here. But I’ll have to package it in smaller dozes as there is an overload of ‘homework’ for me. For now I must get back to the script for tomorrow’s show.

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Where are the Bowlers?

You’ve already met my friend Buffy. Of course that is not his real name. I don’t think parents can do this to their children. It was us friends who nicknamed him so. But he doesn’t mind because it reminds him of Beefy – Sir Ian Botham. And, Sir Botham is quite a legend. He was a genuine all-rounder who maintained an intimidating reputation with his bowling throughout his career. Infact there were quite a few gentlemen in his league, some even better than him. I’ve to begin the non-comprehensive list with fast bowlers from West Indies. Do you remember or have you heard of the era when names like Malcolm Marshall and Courtney Ambrose used to inspire fear? They were giants who could make the batsmen look like pygmies.

Then there were charismatic heroes like Imran Khan. On this side of the border we had Kapil Dev who could counter him. The next crop also had its stars. There was Shaun Pollock who inherited brilliance in cricket. Recently there was news that he was being considered for the role of India’s bowling coach. I was hoping that it was true and would materialize. Then, there were Shane Warne and Brett Lee at the helm of Australia’s formidable bowling attack. Shane Warne still exhibits his stuff in IPL and Brett Lee is still around but there is something amiss. They are not the same terror they were once. After Imran Khan there were few more Pundits from Pakistan, of which I’ve watched Wasim Akram and Waqar Younis. I wonder if there would be another bowler from Pakistan who would recreate the terror that these two could. Shoaib Akhtar did seem to fit the bill before his career went over the fence.

In India the last precise killer was Anil Kumble. No other bowler in the current lot has been able to maintain such consistency. There are impressive bowlers but there is no one who is consistently fearsome. All of them have had their records punched by free flowing hits. There are bowlers who started off their career with bangs. But be it Muttiah Muralidharan or Ajantha Mendis, they have all been undone.

The breed of fearsome bowlers seems to be nearing its extinction. This decade has been declared as the decade of runs. They say that fans like it when lots of runs are scored. But do people enjoy one-sided games? Doesn’t the contest between bat and ball becoming one such game? In such a scenario how long will cricket boast of glorious uncertainties? If cricket is a batsmen’s game then why are bowlers still playing?

This post was published on my blog HOOKed! at Cricket Aakash

UPDATE 12th Jan, 2010: Ian Chappell said on Cricinfo’s talk show that India will need a couple of champion bowlers to stay as Test #1

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